This page is also available in French. Berlioz Music Scores Symphonie Fantastique (H 48). Berlioz provided his own preface and program notes for each movement of the work. Symphonie fantastique. Edited by Paul Banks (2001). Scène aux champs (Szene auf dem Lande) ∙IV. BA 5457. xix + 241 pages. Fro… Volume 16: Symphonie fantastique. The following 3 pages are in this category, out of 3 total. Recitatives for Weber’s Der Freischütz, Op.28 The following 2 pages are in this category, out of 2 total. Symphonie Fantastique is a tour de force of bravura writing and of completely unprecedented orchestral effects. Preface and explanatory remarks to volumes 1–20, Content is available under the Creative Commons Attribution-ShareAlike 4.0 License 14, in full Symphonie fantastique: épisode de la vie d’un artiste, English Fantastic Symphony: Episode in the Life of an Artist, orchestral work by French composer Hector Berlioz, widely recognized as an early example of program music, that attempts to portray a sequence of opium dreams inspired by a failed love affair. I. Rêveries – Passions (Träume – Leidenschaften) ∙II. Band 21. 1: Symphonie fantastique, Op.14, pp.3–150 (148 pages) Plate H.B. Jump to: Movement I, Movement II, Movement III, Movement IV, Movement V. I. Rêveries--Passions. 14 (titre original : Épisode de la vie d'un artiste, symphonie fantastique en cinq parties) est une œuvre d'Hector Berlioz, dédiée à Nicolas I er de Russie et créée le 5 décembre 1830 au conservatoire de Paris, sous la direction de François-Antoine Habeneck, six ans après la neuvième symphonie de Beethoven Berlioz - Symphonie fantastique Mariss Jansons conductor Bavarian Radio Symphony … Was Hector Berlioz writing music to get over his obsession with his distant love, Harriet Smithson? Series I: Symphonies. Symphonie fantastique. Band 1.Published 1900, xlviii + 226 pp. (C minor--C major; quadruple meter) We might take Berlioz's own double title literally, as a sign … Volume 17: Harold en Italie. Band 19. 1830: Symphonie Fantastique premieres at the Paris conservatoire in December, with Francois Habeneck conducting and Berlioz himself at kettledrums. Published 1901, pp.235–432 (196). Symphonie fantastique holds a unique position in the history of music as one of the few surviving program symphonies. • Page visited 14,519 times • Powered by MediaWiki The following 69 pages are in this category, out of 69 total. List of works by Franz Liszt; Liszt's versions of works by others; Liszt Complete Editions . 14, is a program symphony written by Hector Berlioz in 1830. Well received. Edited by Nicholas Temperley (1971). Kassel: Bärenreiter. The following 9 pages are in this category, out of 9 total. Paperback edition.] • Switch back to classic skin, Alternative Names/Transliterations: Louis-Hector Berlioz, Article by Richard Macnutt on recent forgeries (1960s) of Berlioz letters, Amitié, reprends ton empire, H 10 (Berlioz, Hector), Le ballet des ombres, H 37 (Berlioz, Hector), Béatrice et Bénédict, H 138 (Berlioz, Hector), La belle voyageuse, H 42 (Berlioz, Hector), Benvenuto Cellini, H 76 (Berlioz, Hector), Canon libre à la quinte, H 14 (Berlioz, Hector), Le Carnaval romain, H 95 (Berlioz, Hector), Chant des chemins de fer, H 110 (Berlioz, Hector), Le chasseur danois, H 104 (Berlioz, Hector), La damnation de Faust, H 111 (Berlioz, Hector), Le Dépit de la bergère, H 7 (Berlioz, Hector), L'enfance du Christ, H 130 (Berlioz, Hector), Fleurs des landes, H 124 (Berlioz, Hector), Grande messe des morts, H 75 (Berlioz, Hector), Grande symphonie funèbre et triomphale, H 80 (Berlioz, Hector), Hymne à la France, H 97 (Berlioz, Hector), Hymne des Marseillais, H 51A (Berlioz, Hector), Hymne pour l'élévation, H 100 (Berlioz, Hector), Hymne pour la consécration du nouveau tabernacle, H 135 (Berlioz, Hector), Intrata di Rob-Roy MacGregor, H 54 (Berlioz, Hector), Invitation à louer Dieu, H 143 (Berlioz, Hector), Le jeune Pâtre breton, H 65 (Berlioz, Hector), Lélio, ou le retour à la vie, H 55 (Berlioz, Hector), Marche funèbre pour la dernière scène d'Hamlet, H 103 (Berlioz, Hector), Méditation religieuse, H 56 (Berlioz, Hector), La menace des Francs, H 117 (Berlioz, Hector), Le montagnard exilé, H 15 (Berlioz, Hector), La mort d'Ophélie, H 92 (Berlioz, Hector), La mort de Cléopâtre, H 36 (Berlioz, Hector), Nessun maggior piacere, H 114 (Berlioz, Hector), Overture 'King Lear', H 53 (Berlioz, Hector), Overture 'Le Corsaire', H 101 (Berlioz, Hector), Overture 'Waverley', H 26 (Berlioz, Hector), Pleure, pauvre Colette, H 11 (Berlioz, Hector), Quartetto e Coro dei Maggi, H 59 (Berlioz, Hector), Rêverie et Caprice, H 88 (Berlioz, Hector), La révolution grecque, H 21 (Berlioz, Hector), Roméo et Juliette, H 79 (Berlioz, Hector), Sara la baigneuse, H 69 (Berlioz, Hector), 8 scènes de Faust, H 33 (Berlioz, Hector), Sérénade agreste à la madone sur la thème des pifferari romains, H 98 (Berlioz, Hector), Symphonie fantastique, H 48 (Berlioz, Hector), Le temple universel, H 137 (Berlioz, Hector), New Edition of the Complete Works (Berlioz, Hector), Album de musique pour l'orgue expressif (Alexandre, Edouard), Chronique Musicale de Paris (Mainzer, Joseph), Collection de mélodies, H 139 (Berlioz, Hector), A Collection of Concert Overtures (Oesterle, Louis), Feuillets d'album, H 121 (Berlioz, Hector), Gedichte von Goethe in Compositionen (Friedlaender, Max), Aufforderung zum Tanze, Op.65 (Weber, Carl Maria von), Der Freischütz, Op.77 (Weber, Carl Maria von), La danse des fées, Op.41 (Prudent, Émile), 3 Grands duos concertants, Op.11 (Bessems, Antoine), Grand traité d'instrumentation et d'orchestration modernes, Op.10 (Berlioz, Hector), Lettres inédites de Hector Berlioz à Thomas Gounet (Berlioz, Hector), Lettres inédites de Hector Berlioz (Berlioz, Hector), http://imslp.org/index.php?title=Category:Berlioz,_Hector&oldid=2895210, Creative Commons Attribution-ShareAlike 4.0 License. The following 7 pages are in this category, out of 7 total. Symphonie fantastique is a piece of program music that tells the story of an artist gifted with a lively imagination who has poisoned himself with opium in the depths of despair because of hopeless, unrequited love. 6 Bibliography Barzun, Jacques. Your pseudo: You accept the terms and conditions. Symphonie Fantastique, Opus 14 (1830) Hector Berlioz was born in La Côte-Saint-André, Isère, France, on December 11, 1803, and died in Paris, France, on March 8, 1869. Berlioz couldn't get enough of it. TP331. Band 20. L'Orchestre philharmonique de Radio France dirigé par Myung-Whun Chung interprète la "Symphonie fantastique" d'Hector Berlioz. Published 1901, li + 241 pp. Un bal (Ein Ball) ∙III. Type the code : Display again: Buy sheet music books . Shakespeare, as presented by the Irish actress, Harriet Smithson, changed Berlioz's life forever. The work is organic in an entirely new way, its subject shocked and generally upset three whole generations of concert-goers, and it is largely timeless, except in its subject matter. • Switch back to classic skin, Series VI: Choral and vocal works with orchestra, Series VII: Choral and vocal works with piano, http://imslp.org/index.php?title=Hector_Berlioz_Werke_(Berlioz,_Hector)&oldid=1313893, Works first published in the 20th century, Creative Commons Attribution-ShareAlike 4.0 License, French (prefaces also in English and German). Band 3. Symphonie Fantastique: Épisode de la vie d'un Artiste...en cinq parties (Fantastic Symphony: An Episode in the Life of an Artist, in Five Parts), Op. ISMN M-006-49504-7 [Piano Reduction, by Hugh Macdonald. Symphonie Fantastique (Paris, December 5, 1830) Close Analysis. The following 6 pages are in this category, out of 6 total. Symphonie fantastique (5 sheet music) Added by FS the 2016-01-20: 0 comment. Symphonie fantastique, Op. Béatrice et Bénédict, Op.27 The first performance of the Symphonie fantastique took place at the Paris Conservatoire on December 5, 1830, with François-Antoine Habeneck conducting the Orchestra of the Société des Concerts du Conservatoire. Watch Video Michael Tilson Thomas. Set in Brooklyn and Manhattan, the film tells the story of a young man who enjoys a wild night out on the town with an adventurous young woman, only to face the consequences once the fantasy ends and reality kicks in. Plate H.B. Was this symphony his way of saying goodbye, or even seeking revenge? ORCHESTRA. I: Rêveries, passions II: Un Bal III: Scène aux champs IV: Marche au supplice V: Songe d’une Nuit du Sabbat See also Texts and Documents; Berlioz and his music: self-borrowings. Béatrice et Bénédict, Op.27 Symphonie fantastique, H 48 (Berlioz, Hector) T. Tantum ergo, H 142 (Berlioz, Hector) Te Deum, H 118 (Berlioz, Hector) Le temple universel, H 137 (Berlioz, Hector) Toccata, H 99 (Berlioz, Hector) Tristia, H 119 (Berlioz, Hector) Les Troyens, H 133 (Berlioz, Hector) V. Valse chantée, H 131 (Berlioz, Hector) Veni creator, H 141 (Berlioz, Hector) One of the most representative pieces of the early Romantic period, it is still very popular with concert audiences worldwide. Abtheilung I: French with parallel German translation, published 1907, xvii + 280 pp. • Page visited 192,549 times • Powered by MediaWiki Roméo et Juliette BA 5456. xxxv + 221 pages [Study score. Benvenuto Cellini [Weimar version] Symphonie fantastique was featured in the films “The Shining,” “Sleeping with the Enemy,” and was the basis for the short film Last Night’s Symphonie (2014), a dark comedy that re-imagines the story of the symphony. Band 25. Content is available under the Creative Commons Attribution-ShareAlike 4.0 License Band 22. Or was it instead his impassioned valentine to a woman he Band 12. Op.14: Symphonie fantastique; Première partie de l’Épisode de la vie d’un artiste [H 48, 1845] Op.14bis: Lélio; Monodrama lyrique; Deuxième partie de l’Épisode de la vie d’un artiste (previously called Le retour à la vie: mélologue en six parties) [H 55, 1855] Op.15: Grande Symphonie funèbre et triomphale [H 80, 1843] The film is part of the Filmelodicfilm series, an ongoing series of stories drawn from … Abtheilung II: French with parallel English translation, published 1907. La prise de Troie, Op.29a, Band 24. Beethoven's music established the Romantic ideal; instead of fitting suitable music into classical forms, Beethoven reconfigured the symphony and the personnel of the orchestra to accommodate his emotional expression. Harold en Italie. It well documents Berlioz's position as one of the orchestral pioneers of the early nineteenth century. 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